Aguas sucias

Ni España ni Europa son ajenas a la Mutilación Genital Femenina. La globalización y especialmente el fenómeno migratorio que venimos viviendo en las últimas décadas nos han traído historias de mujeres que han sufrido esta violación de derechos humanos de primera mano.

Asha Ismail, creadora de Save a girl, save a generation, una de las principales organizaciones no gubernamentales dirigidas por mujeres a las que se les negó el derecho a defender sus derechos cuando eran niñas, cuenta la historia de cómo se le realizó esta práctica en la aldea de Moyale, cerca de la frontera entre Kenia y Etiopía. Tomó la decisión de salvar a alguien muy especial para ella y terminó salvando a miles de mujeres y niñas.

In this episode, Lilian Violadé as Asha, Cristina Yáñez, Sonia Pasamar, Miguel Remiro, Raquel Sanz, Sara Lapiedra, Eduardo Sanz, Aurora Martínez, Marta Villarte and Asha Ismail, founder of Save a Girl Save a Generation. Original music by Camille, performed by Raquel Sanz and Miguel Remiro.

Other episodes

December 3, 2021
Marruecos. 2019. Niña de 18 años. Una puerta cerrada. Y un vuelo hacia adelante. Nahla corre hacia el mar para ahogar sus pensamientos. En su mente...
December 3, 2021
Tres hermanos amarran su barco en un puerto de la costa española, el escenario que consideran oportuno para comentar el pasado de la camarera que les...
December 3, 2021
Sueños de agua y sal es una serie de podcast inspirada en cinco historias reales de mujeres que han tenido que migrar a España por diferentes...
December 3, 2021
Sueños de agua y sal es una serie de podcast inspirada en cinco historias reales de mujeres que han tenido que migrar a España por diferentes...
December 3, 2021
En el último capítulo de Sueños de agua y sal escuchamos las voces de las personas que han guiado a los protagonistas hasta su destino. ¿Qué...

Other podcasts

Thirty-eight places worse than in 2021 and last in the ranking of EU countries, press freedom in Greece is undoubtedly in free fall. According to the annual report of Reporters Sans Frontières (RSF), in a total of 180 countries, the country referred to internationally as the matrix of democracy has plummeted in just one year from 70th to 108th place in 2022. In the following six episodes, Greek journalists Konstantinos Poulis and Jenny Tsiropoulou will take us inside newsrooms to see the working conditions in the media, investigate the unsolved murder of a journalist at the door of his house, talk to journalists-victims of SLAPPS and journalists-victims of phone tapping, and they will talk to us about a completely opaque process of public funding to find out what the 108th place means in practice and to ask who benefits from journalism that is feared and silenced. We would like you to know that the present government has systematically failed to respond to requests from journalists from unfriendly media. In such cases, we report on it in our editorials. #108 is a co-production between the Greek independent media The Press Project and the podcast production agency Bulle Media. The podcast series is part of the Europod podcast network and was produced under the Sphera project. The original language of this podcast is Greek. There is also available an English version. The producer of 108 is Antoine Lheureux. Executive producers are Konstantinos Poulis and Alexander Damiano Ricci. Scriptwriting is by Jenny Tsiropoulou. Interviews by Jenny Tsiropoulou and Konstantinos Poulis. Editorial work by María Dios and Alexander Damiano Ricci. Sound design by Thomas Kusberg. Editing and mixing by Thomas Kusberg and Jeremy Bocquet.
Artificial intelligence is all around us. It has technological applications that save lives, but it can also affect them in ways we all too often ignore. It has created jobs that did not exist, but it also raises fears for the future of employment. Today, artificial intelligence can be used to make anything: a start-up, a cyberwar and even a work of art. This podcast is all about the A.I. revolution, amidst market bubbles, problems that the European Union is trying to correct, potential and dystopian scenarios, because algorithms replicate the distortions of the society that conceived them.