Like everyone else, we Europeans have been watching a LOT of television over the past year. But something rather nice has been happening: we’ve been watching *each other’s* television. Could streaming giants like Netflix be helping develop a shared European culture, as we all sit down to enjoy shows like Lupin and Money Heist? This week we speak to Jérôme Dechesne of European producers’ group CEPI about the Europeanisation of binge-watching. We’re also talking about the prince who apparently-accidentally shot Romania’s largest bear, and the Belgian farmer who may have apparently-accidentally moved the French border.

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April 22, 2021
Halloumi has just been recognised as a product unique to Cyprus — something that eurocrats have hailed as a positive step towards reconciliation on the divided...
June 3, 2021
This week, a murky spying scandal and a huge climate lawsuit. It seems that our American friends may have been using Denmark’s internet cables to spy...
June 10, 2021
Jens Thoms Ivarsson has one of this continent’s most fascinating jobs: chief “rain man” for the city of Gothenburg. We chat to the creative director of...
June 24, 2021
Streets, cities, train stations: across the continent, they’re likely to be named after men. What if the women who shaped Europe were given the recognition they...
July 8, 2021
Few people talk about bread in such magical terms as Apollonia Poilâne. This week we speak to the head of one of France’s most prestigious bakeries...
July 15, 2021
Slovenia, aka Katy’s favourite country, is increasingly drawing comparisons with Hungary and Poland when it comes to the state of its democracy. Can this worrying direction...
December 3, 2021
We’re back from our summer break with an enticing idea: what would happen if we only worked four days a week? Far from spelling economic disaster,...
December 3, 2021
A year into the protest movement in Belarus, what are things like on the ground? This week we talk to the poet Hanna Komar about her...
December 3, 2021
A year into the protest movement in Belarus, what are things like on the ground? This week we talk to the poet Hanna Komar about her...
December 3, 2021
This week we’re delving into the Czech PM’s secret purchase of a French château, an extremely bold Danish artistic experiment, and, oh yes, Wally the Walrus’...

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Thirty-eight places worse than in 2021 and last in the ranking of EU countries, press freedom in Greece is undoubtedly in free fall. According to the annual report of Reporters Sans Frontières (RSF), in a total of 180 countries, the country referred to internationally as the matrix of democracy has plummeted in just one year from 70th to 108th place in 2022. In the following six episodes, Greek journalists Konstantinos Poulis and Jenny Tsiropoulou will take us inside newsrooms to see the working conditions in the media, investigate the unsolved murder of a journalist at the door of his house, talk to journalists-victims of SLAPPS and journalists-victims of phone tapping, and they will talk to us about a completely opaque process of public funding to find out what the 108th place means in practice and to ask who benefits from journalism that is feared and silenced. We would like you to know that the present government has systematically failed to respond to requests from journalists from unfriendly media. In such cases, we report on it in our editorials. #108 is a co-production between the Greek independent media The Press Project and the podcast production agency Bulle Media. The podcast series is part of the Europod podcast network and was produced under the Sphera project. The original language of this podcast is Greek. There is also available an English version. The producer of 108 is Antoine Lheureux. Executive producers are Konstantinos Poulis and Alexander Damiano Ricci. Scriptwriting is by Jenny Tsiropoulou. Interviews by Jenny Tsiropoulou and Konstantinos Poulis. Editorial work by María Dios and Alexander Damiano Ricci. Sound design by Thomas Kusberg. Editing and mixing by Thomas Kusberg and Jeremy Bocquet.
Artificial intelligence is all around us. It has technological applications that save lives, but it can also affect them in ways we all too often ignore. It has created jobs that did not exist, but it also raises fears for the future of employment. Today, artificial intelligence can be used to make anything: a start-up, a cyberwar and even a work of art. This podcast is all about the A.I. revolution, amidst market bubbles, problems that the European Union is trying to correct, potential and dystopian scenarios, because algorithms replicate the distortions of the society that conceived them.